Published Work
Defend/Defund at Interference Archive, Public Seminar. Fall 2022.
“I Think of it as a Diary”: Q&A with Anne Waldman, Public Seminar. Fall 2022.
Can Art Reimagine Freedom of Speech?, Public Seminar. Fall 2022.
How Baristas Really Feel About Tip-Free Service, Brooklyn Daily Eagle, PRINT. Fall 2022.
Anya Kielar’s Sculptural Portraits Command the Female Gaze at Pioneer Works in Brooklyn, CULTURED Magazine. Fall 2022.
Speaking Paintings into Being with Caroline Kent, Mn Artists. Spring 2022.
(Republished in BackMatter Magazine, PRINT. Spring 2022)
How Many Americans Believe that Art Has Any Value?, Public Seminar. Spring 2022.
Love Letter to the Minneapolis Underground, Mn Artists. Spring 2021.
(Republished in BackMatter Magazine, PRINT. Spring 2022)
How Many Americans Believe that Art Has Any Value?, Public Seminar. Spring 2022.
Love Letter to the Minneapolis Underground, Mn Artists. Spring 2021.
One Art Mogul’s Raver Roots, Self-published. Spring 2020.
Enemy Records: Dustin Zahn’s Indie Techno Label, Sigil (zine), Self-published. Spring 2019.
Yutaka Matsuzawa’ at Midway Contemporary Art, Self-published. 2019.
Hi, I’m Lindsey, a New York City-based writer. I mostly write art criticism and semi-personal essays about culture and aesthetics. My work often highlight the significance of visual art and artists and the importance of subcultural life. I’ve been published by CULTURED, Mn Artists, Public Seminar, and more.
I am trained in aesthetic philosophy, curatorial praxis, and hold a degree in Creative Publishing & Critical Journalism from The New School.
In my visual art practice, I focus on analog techniques and I mainly work with film and collage. Occasionally I bring this sensibility to the computer for typography and design. For more, take a look at my portfolio.